tollor: 21:12:27 - (tollor) - very dreamy
21:12:50 - (tollor) - it seeks to force the viewer to revisit their conception of the contemporary painting
21:12:57 - (tollor) - by putting absolutely no meaning into the painting at all
21:13:02 - (tollor) - by using random letters and strokes
21:13:06 - (tollor) - and leaving the entire painting up to chance
21:13:13 - torrelatinio: are you going to do it all again
21:13:20 - (tollor) - i wasn't gonna but now i'm on a role
21:13:35 - (tollor) - van loo disturbs the reader's preconception
21:13:41 - (tollor) - that art should be carefully planned and executed
21:13:41 - (tollor) - ok
21:13:52 - (tollor) - thereby forcing the reader to interact fully with the art
21:14:09 - (tollor) - and gain a deeper understanding of the idea of art by evaluating the painting simply aesthetically
21:14:24 - (tollor) - they then, must realize, that aesthetic evaluation is meaningless as well
21:14:34 - (tollor) - as van loo left this painting to chance
21:14:40 - (tollor) - and in doing so, made quite possibly
21:14:52 - (tollor) - the most accurate represention of life in society today
21:14:56 - (tollor) - -end

Jamila: Tollor you NEED to become a critic. Just kidding, but it would be pleasant.

Jamila: And torre nice art keep it up!

torrelatinio: actually this one is by Frans van Loo, not me. but i agree it is beautiful